En thumbnails of the images

Enrico Barboglio · Group CEO · Stratego Group

Italy has a long and important history in printing and converting technology, but technology alone isn't enough to build an international market. You also need connections. At PRINTING United 2026 in Las Vegas, Pat McGrew meets longtime industry friend Enrico Barboglio at the Italian Trade Agency pavilion to talk about why Italian companies are exhibiting in the United States — and why an international trade show is about considerably more than selling machines. The Italian Trade Agency, together with the Italian printing and converting industry, has brought a group of companies to Las Vegas representing different parts of the production ecosystem. There are machinery manufacturers, software developers, color and process-control specialists, personalization technology and companies providing knowledge and communication to the graphic arts industry. It is only a small representation of the Italian printing industry. Many more Italian manufacturers are exhibiting elsewhere at PRINTING United through American subsidiaries, distributors and partners, illustrating just how significant Italian technology has become across printing, packaging, converting and finishing. For Enrico, however, the most important reason for being in Las Vegas can be summed up in one word: connection. Companies come to PRINTING United to meet customers and potential partners, of course, but they also come to learn. They meet other manufacturers, discover technologies, understand how markets are developing and create relationships that can ultimately lead to entirely new business opportunities. And those relationships work in both directions. Italian companies can introduce American printers and converters to technologies they may not already know, while conversations with the North American market provide Italian manufacturers with new ideas, requirements and perspectives to bring home. PRINTING United is therefore one stop on a much longer international journey. That journey leads toward Print4All in Milan in 2027. Print4All was created to bring together technologies and applications from across printing and converting rather than treating individual print segments as isolated industries. Commercial printing, digital, offset, flexo, gravure, converting, packaging, finishing and increasingly software and automation are all becoming part of a much more connected production ecosystem. That thinking is now being developed further through closer cooperation between ACIMGA and ARGI and the creation of the Printing & Converting Technology Alliance. The objective is to represent technology across the complete printing and converting value chain and create a stronger platform for manufacturers, suppliers, printers, converters, brands and international markets to meet. And perhaps that reflects the industry itself. A printing company rarely buys technology in isolation anymore. Presses need software. Software needs data. Printing requires finishing. Packaging requires converting. Automation requires communication between systems. And increasingly, the companies building those technologies need each other just as much as their customers need them. The machinery may be what visitors initially come to see. But relationships are what ultimately move an industry forward. Watch Pat McGrew's conversation with Enrico Barboglio at the Italian Trade Agency pavilion at PRINTING United 2026 in Las Vegas — and hear why international connections are such an important part of the future of Italian printing and converting technology.

En thumbnails of the images

Bruno Müller · CEO · Müller Martini

In just a few months, the global digital print industry will once again meet in Lucerne, Switzerland, for Hunkeler Innovationdays 2027 — and Morten B. Reitoft catches up with Müller Martini CEO Bruno Müller for a preview of what visitors can expect. HID27 takes place February 22–25, 2027, and Bruno promises an event with all the major digital printing suppliers, leading finishing companies, new technologies and plenty of product announcements. The exhibition space is already close to sold out, underlining the unique position Hunkeler Innovationdays has developed within the industry. The theme for 2027 is imPRESSed — Impressed by Ideas. Empowered by Cooperation. Delivered by People. And perhaps that describes perfectly why Hunkeler Innovationdays is different. It is not only about seeing equipment running live, but about connecting technologies, companies and people in a compact environment where complete end-to-end digital production solutions can be experienced. Following Müller Martini's acquisition of Hunkeler, Morten also asks Bruno how it feels to become even more involved in organizing one of the industry's most respected events. Bruno explains that the intention is not to change what has made Innovationdays successful, but to strengthen the existing team and preserve the unique atmosphere that Hunkeler has built over many years. What originally started as a Hunkeler open house has developed into an international industry meeting point. The 2025 edition attracted around 6,800 visitors from 100 countries, and HID27 will again bring together printing, finishing, workflow and automation specialists from around the world. And INKISH will of course be there as well — including a new daily edition of our MAGS Innovationdays magazine throughout the event. Ideas, technology, cooperation and, most importantly, people. See you in Lucerne. Watch Morten B. Reitoft's conversation with Bruno Müller from Müller Martini and get ready for Hunkeler Innovationdays 2027.

En thumbnails of the images

Charles Bourg · CEO · C.P. Bourg

At PRINTING United 2026 in Las Vegas, Wayne Beckett finally catches up with Charles Bourg from C.P. Bourg — although finding him isn't easy. C.P. Bourg technology is running not only on the company's own booth, but alongside several of the industry's leading digital print manufacturers. And that is very much the point. C.P. Bourg's philosophy is to remain print-engine independent and give customers the flexibility to choose the printing technology that fits their business while connecting it to highly automated finishing. Charles explains the company's Dual Mode concept, where the same finishing line can operate directly inline with a digital press or independently using a sheet feeder. Customers can decide job by job whether inline or offline production makes the most sense — without investing in completely separate finishing systems. Making that happen isn't as simple as connecting two machines. Inline finishing has to handle sheets arriving directly from the press, potentially with heat, curl and other characteristics that wouldn't normally be present in an offline stack. For C.P. Bourg, developing reliable inline solutions therefore also improves the engineering and paper handling of its offline systems. At PRINTING United, C.P. Bourg is demonstrating its technology together with partners including Canon and Xerox, while continuing to develop relationships with other press manufacturers. Charles describes the company almost as the “Switzerland” of finishing: C.P. Bourg doesn't want to tell customers which printing technology to buy — it wants to provide the finishing platform behind whichever technology they choose. Wayne and Charles also look at C.P. Bourg's latest highly automated booklet-making technology. The system can move between very thin and significantly thicker booklets automatically, reducing operator intervention and making highly variable production increasingly practical. That flexibility reflects where digital printing is heading. Shorter runs, more job changes and increasing automation require finishing equipment that can adapt just as quickly as the press itself. Whether production is inline, offline or somewhere between the two, the objective remains the same: fewer touchpoints, reliable production and more finished work out of the factory. Watch Wayne Beckett's conversation with Charles Bourg from C.P. Bourg at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Chris Schowalter · Global Sales Director, Software · DURST GROUP

For decades, the printing press dominated the investment conversation. The press made the money, while software was often regarded as something that simply cost money.

That equation is changing.

At PRINTING United 2026 in Las Vegas, Pat McGrew meets Chris Schowalter from Durst at the company's dedicated Open Software Initiative booth for a conversation about open architecture, Kyveris, CoCoCo, AI — and ultimately the journey toward lights-out production.

And Chris starts by making an important distinction.

Open Software Initiative doesn't mean open source.

For Durst, “open” means that customers don't have to buy an entire Durst software stack to gain value from it. The portfolio spans web-to-print, ERP, prepress automation, RIP, and production workflow, but customers can select the components they need and integrate them into the technology they already use.

Documented APIs are fundamental to that philosophy.

The second part of the Open Software Initiative is the partner ecosystem. Durst works with integrators, workflow specialists, color experts, and other software companies that may represent technology from several vendors. Chris sees that independence as important: sometimes the best solution for a customer isn't another Durst product, but something from another supplier that can be connected into the same production environment.

The objective is not to own every component.

It is to make the components work together.

That becomes even more important as Durst moves toward its broader Kyveris vision. Introduced as part of the company's future direction, Kyveris is about connecting machines, software, production data and process knowledge so systems can increasingly understand what is happening on the production floor and make better decisions.

Lights-out production is the long-term destination, but Chris is careful not to make it sound like every printer needs to switch off the factory lights tomorrow.

The same intelligence that may eventually enable autonomous production can already help companies today. If machines and software can exchange information, understand jobs, recognize substrates, anticipate production requirements and make more decisions automatically, operators don't need the same level of specialist knowledge to run increasingly complex production environments.

That matters in an industry struggling to find skilled labor.

Pat also raises an important question about APIs. Printers are increasingly accepting that systems need to communicate, but connecting different software packages still frequently requires translations between different definitions of jobs, products, substrates, materials and production resources.

This is where CoCoCo enters the picture.

Rather than every system maintaining its own interpretation of the same production information and continuously translating between each other, the idea is to establish a common data layer that different systems can use. One job, one consistent set of production data, available across the connected environment.

For Chris, that creates an important foundation not only for integration, but also for AI.

Artificial intelligence is only as useful as the data it receives. If production information is fragmented, inconsistent or incomplete, AI has very little reliable context from which to make decisions. Connect the production environment and standardize the underlying data, however, and AI can potentially begin to understand what is happening across the factory.

That could eventually mean systems capable of predicting problems, optimizing production and making decisions with considerably less human intervention.

But does that mean every printing company needs to hire its own team of software engineers?

Chris says no.

In fact, he sees overly complex workflows built and maintained by a single internal specialist as another potential risk. If only one person understands the system, the company becomes dependent on that person. Durst therefore wants software to become increasingly product-aware and easier to maintain, allowing the workflow itself to understand more about how a particular application should be produced.

That is perhaps the most significant change in Durst's software strategy.

The company still builds printing presses, but the future it describes is increasingly about what happens between those presses — the data, APIs, workflows, automation and intelligence that allow an entire production environment to function as one connected system.

The printer still makes money.

But increasingly, it may be software that determines how much money the printer can make.

Watch Pat McGrew's conversation with Chris Schowalter from Durst at the Open Software Initiative booth at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Stefano Formentini · Global Sales & Marketing Director · Meccanotecnica

The book industry is changing. Print runs are getting shorter, publishers want less inventory sitting on shelves, skilled bindery operators are becoming increasingly difficult to find, and digital printing has made book-of-one production commercially realistic.

But finishing still has to keep up.

At PRINTING United 2026 in Las Vegas, Morten B. Reitoft meets Stefano Formentini from Meccanotecnica for another look at LYRA — the company's new automated casing-in solution first presented at Book Your Future in Bergamo earlier this year.

Since the launch, interest has been significant, but Meccanotecnica isn't rushing the first installations. Stefano explains that the company is working closely with prospective customers, studying their production data, running tests and identifying where LYRA can genuinely improve the economics of their book production.

And economics is really what LYRA is about.

For decades, hardcover finishing has depended heavily on skilled operators and equipment designed either for relatively manual production or very high industrial volumes. Meccanotecnica believes there is an important space between those two worlds — particularly as digital printing drives shorter runs, more frequent job changes and increasingly book-of-one production.

LYRA is designed specifically for that environment.

Automated changeovers take seconds rather than minutes, and much of the traditional knowledge of the experienced bookbinder has been effectively embedded in the machine. The objective is to enable an operator with considerably less specialist knowledge to produce consistent hardcover books while capturing experienced bindery expertise in the technology itself.

That becomes increasingly important in North America.

Stefano describes the U.S. and Canadian markets as among the world's most developed for digital book production. At the same time, printers are facing the same pressures seen throughout the industry: difficulty finding skilled employees, increasing labor costs and the need to reduce manual touchpoints.

Publishers are changing as well.

Rather than financing large inventories of books that may remain in warehouses for months or years, publishers increasingly want production to follow actual demand. Digital printing makes that possible on the press side, but finishing must be equally capable of economically producing one copy, ten copies, several hundred — or even runs of one or two thousand books.

That is the space Meccanotecnica wants LYRA to address.

The conversation also turns to something affecting almost every investment discussion in the United States right now: uncertainty.

Geopolitical developments and tariffs are influencing purchasing decisions, and some companies are choosing to delay investments while waiting for greater clarity. Stefano understands the hesitation but also sees a risk in waiting too long.

Technology continues to improve regardless of the political environment.

A modern automated production line can deliver significant productivity improvements compared with equipment installed 15 or 20 years ago. Reduced labor requirements, faster changeovers, lower waste and increased throughput can potentially outweigh other cost increases associated with an investment.

Companies therefore face an interesting decision.

Wait for certainty that may never arrive — or invest in productivity and competitiveness that they can actually control.

For Meccanotecnica, that investment philosophy fits directly into its broader evolution. Historically famous for book sewing, the company has steadily expanded into perfect binding, digital finishing and now automated casing-in, creating an increasingly complete production environment for digitally manufactured books.

The press has already become digital.

Now Meccanotecnica wants to industrialize what happens after it.

Watch Morten B. Reitoft's conversation with Stefano Formentini from Meccanotecnica at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Joanna Wojciak-Baiguini · North America After Sales Director · Book Automation/Meccanotecnica

Automation doesn't only change production. It also changes the people who have to support the machines. At PRINTING United 2026 in Las Vegas, Morten B. Reitoft continues his visit with Meccanotecnica — or, as the company is known in the North American market, Book Automation — for a conversation about something that rarely gets the same attention as a new machine: service. And that service organization is changing. As Meccanotecnica has expanded from its traditional strength in book sewing into increasingly automated finishing solutions such as perfect binding and LYRA casing-in, the technical knowledge required to support customers has evolved as well. Where service calls historically might have focused heavily on mechanics, today's questions increasingly involve automation, electronics, software and communication between different systems. That changes the role of the service engineer. Remote connectivity has become an important first step. Rather than trying to understand a production problem from an email or telephone description, Book Automation technicians can connect directly to supported equipment, see what is happening and begin diagnosing a problem in real time. But remote service isn't intended to replace the technician. Morten asks whether video calls and remote connections can sometimes become a convenient substitute for having a strong local service organization. The answer is clear: remote diagnostics are another tool for qualified service engineers. The same people troubleshooting remotely are the technicians who will travel to the customer when the problem cannot be resolved from a distance. And plenty of situations still require someone standing beside the machine. The discussion also turns to another increasingly important challenge: making sophisticated equipment easier to operate. Meccanotecnica deliberately uses symbols and numerical information extensively in its user interfaces rather than relying on large amounts of written text. That makes operation more intuitive, reduces language barriers and allows similar functions to be represented consistently across different machines. It is another example of how knowledge is increasingly being embedded into the equipment itself. As automation increases, the machine needs to guide the operator through more of the production process. That becomes particularly important as printing and binding companies struggle to recruit highly experienced operators and increasingly need equipment that can be operated by people with less specialized knowledge. But service isn't only about fixing machines after they have been installed. Customer support also creates one of the most valuable feedback channels into research and development. Service engineers see how equipment performs in real production environments every day. They hear what operators struggle with, discover unusual applications and identify where seemingly small changes could make the machines easier or more reliable to use. That information goes directly back to the people developing the next generation of equipment. And in this case, that connection is particularly close, with experience from years working directly with Meccanotecnica's R&D organization now moving into the North American Book Automation service team. As Meccanotecnica expands its product portfolio, Book Automation's service organization therefore has to evolve with it. More automation means more software. More connectivity means better remote diagnostics. Easier user interfaces reduce dependency on specialist operators. And stronger communication between customers, service technicians and R&D ultimately creates better machines. The future of book production may be increasingly automated. But somebody still has to understand how everything works. Watch Morten B. Reitoft's conversation from the Book Automation / Meccanotecnica booth at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Rebecca La Mantia Saraceno · Public Officer · The Italian Trade Agency

Italian printing technology has a significant presence throughout the global graphic arts industry, but getting a technology company into a new international market requires considerably more than simply booking a booth at a trade show. At PRINTING United 2026 in Las Vegas, Pat McGrew meets Rebecca La Mantia Saraceno from the Italian Trade Agency to learn how Italy actively supports its technology companies as they develop business in the United States. The Italian Trade Agency — also known as ITA or ICE — is the Italian governmental organization responsible for supporting the internationalization of Italian companies and promoting Italian products, technologies and services around the world. At PRINTING United, ITA is working together with ACIMGA, the Italian association representing manufacturers serving the printing, converting, paper and graphic arts industries, to create a dedicated Italian presence at the show. Seven companies are represented in the official Italian pavilion: BFT Group, ColorConsulting, I-TECH, OMET, Stratego Group, TCE Group and Zakeke/Futurenext. But the Italian presence at PRINTING United is actually considerably larger. Many Italian manufacturers have established American subsidiaries, distributors or technology partners and therefore exhibit elsewhere on the show floor under their own U.S. organizations. That can sometimes make it less obvious just how much Italian engineering and technology is represented across the printing industry. The role of the Italian Trade Agency is therefore not simply to provide exhibition space. ITA helps Italian companies create visibility, establish contacts, identify potential partners and understand international markets. At the same time, it gives American companies a connection to manufacturers in Italy that may be looking for distributors, customers, integrators or other forms of cooperation. And the United States is particularly important. It remains the largest export destination for Italian machinery serving the graphic arts and paper industries, making PRINTING United an important meeting point between Italian technology companies and the North American market. For smaller technology companies in particular, government-supported international initiatives can make a significant difference. Exhibiting internationally requires investment in travel, marketing, personnel and local market development before a single machine or solution is sold. Working through ITA provides another layer of support as companies begin building those relationships. And that is perhaps the most important message from Rebecca. The Italian pavilion isn't simply a collection of booths carrying the Italian flag. It is intended to create connections — between technology developers in Italy and companies in North America looking for new solutions, products and partnerships. During PRINTING United, visitors can meet the Italian Trade Agency, ACIMGA and the participating Italian companies at the Italy Pavilion in the North Hall. And after the show, the relationship doesn't end in Las Vegas. The Italian Trade Agency maintains offices throughout the United States, including Chicago, providing an ongoing connection for American companies interested in working with Italian industry. Watch Pat McGrew's conversation with Rebecca La Mantia Saraceno from the Italian Trade Agency at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Josh Romberg · President · MBO America

At PRINTING United 2026 in Las Vegas, Morten B. Reitoft meets Josh Romberg, President of MBO America, for a conversation about something far bigger than finishing equipment: the future of local newspaper production. The discussion is inspired by a recent installation at Amedia Trykk in Norway, where a traditional 64-page coldset newspaper press is being replaced by a digital production platform based on Canon inkjet printing and MBO finishing technology. For Josh, who spent many years working in the newspaper industry before joining MBO, the transformation is significant. Traditional newspaper presses are extremely productive, but they were built for volumes that many local and regional newspapers simply don't have anymore. Digital inkjet changes the economics. Instead of producing very large runs, a printer can move quickly between multiple titles and smaller circulations — potentially 5,000, 10,000 or 20,000 copies — without the makeready requirements associated with conventional newspaper production. That creates an interesting opportunity for hyperlocal journalism. Smaller cities and communities can maintain printed newspapers with highly localized editorial content and advertising while sharing a single digital production platform. But printing is only half of the equation. MBO's role is to make the finishing process as flexible as the digital press itself. Unwinding, buffering, cutting, folding, and downstream finishing can be combined in a modular production environment designed to efficiently handle frequent job changes and various newspaper formats. The result is not simply a replacement for an old newspaper press. It is a completely different production model. Could digital inkjet printing and automated finishing make local printed newspapers economically viable again? Watch Morten B. Reitoft's conversation with Josh Romberg from MBO America at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Susan Moore & James Struble Dumont & ECO3

Everybody talks about workflow automation, but what does it actually mean inside a real printing company where offset, digital, web-to-print, MIS, proofing, and production all have to work together? At PRINTING United in Las Vegas, Pat McGrew meets Susan Moore, President and Owner of Dumont Printing, for a conversation about a transformation underway that her company. Dumont has been an Apogee and ePS Pace user for years, and on the offset side, the integration is already working extremely well. Customer service can receive a file, preflight it, create the proof, and move the job through Apogee and on toward plate production using JDF/JMF connectivity. But digital changes the equation. Dumont operates multiple digital workflows and customer storefronts, and Susan explains that connecting everything from Pace through Apogee to the various digital production environments and Fiery front ends has proven considerably more challenging. The objective, however, is very clear: when a customer submits a file, Dumont wants to create an almost immediate proof and then move as much of that job through production as possible with little or no human intervention. And Susan makes an important point about the economics of automation. The large offset jobs may have more value, but it is often the $150 or $200 digital job that absolutely cannot afford multiple people touching it. As turnaround expectations continue to shrink, removing unnecessary manual steps becomes essential to maintaining profitability. Following the conversation with Susan, Pat speaks with James Struble from ECO3 about how the company is working with Dumont to close those workflow gaps. The process starts before prepress. Customer service can compare incoming files against the estimate and identify fundamental production information such as page count, finished size, bleed and special colors before the job reaches production. Once the information and file are connected to the Pace job, they can be transferred into Apogee, where the job can be imposed and prepared for web-based proofing dramatically faster than through a conventional manual workflow. But automation isn't only about producing more with fewer people. James makes another interesting observation: better workflow can reduce stress inside a printing company. When processes are predictable, information is available where it is needed, and repetitive tasks happen automatically, experienced employees spend less time firefighting. In an industry where skilled people can be extremely difficult to replace, that has value far beyond simple productivity calculations. The conversation also introduces ECO3's Advanced Job Restoration functionality. When customer service identifies a job that needs to be reproduced, information can flow from Pace into Apogee, automatically retrieve the archived production elements and prepare the job for output — eliminating another series of manual steps. Dumont's journey is still very much in progress, and Susan is refreshingly realistic about that. Automation requires investment, resources and significant effort from employees before the benefits appear. But the destination is obvious. Fewer touches. Faster turnaround. Better information. Less stress. And an automated production environment where even a $150 digital job can make economic sense. Watch Pat McGrew with Susan Moore from Dumont Printing and James Struble from ECO3 at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Tiffany Bisson · Print Technology Consultant, Inkjet Product Manager · EFI

EFI is known for bringing equipment to trade shows that customers can actually see running, and at PRINTING United 2026 in Las Vegas, Wayne Beckett meets Tiffany Bisson from EFI in front of one of the company's newest additions — the VUTEk M3h X. The M3h X builds on the VUTEk M3h platform but adds significantly more production capacity. For EFI, however, increasing speed isn't simply about making the carriage move faster. It's about increasing the real amount of sellable work that can pass through a print operation every day. A new printhead configuration increases throughput, but EFI has also worked extensively on material handling. A six-zone vacuum system, optical media detection and continuous asymmetric loading allow operators to keep feeding substrates without waiting for two sheets to be perfectly synchronized. The system can also avoid printing areas where no image exists, reducing unnecessary carriage movement and improving overall production efficiency. But productivity is only part of the story. The M3h X is a true hybrid platform designed to move between roll-fed and rigid applications, giving PSPs the ability to serve very different markets from one machine. And EFI continues to expand what can be produced in a single printing process. Multilayer printing enables dimensional and textured applications, while clear ink can create visual effects or be used as a protective layer. In some applications, that protection can remove the need for a separate lamination process — eliminating another production step, another touchpoint and potentially another bottleneck. White, clear and extended color capabilities are also designed so that customers don't necessarily have to sacrifice existing ink channels to gain new applications. That flexibility becomes increasingly important as print service providers diversify. Wayne asks Tiffany an equally important question: buying a machine capable of producing new applications is one thing, but how does a printer learn how to actually sell those applications? For EFI, that is increasingly part of the relationship. Customers can work with EFI before purchasing to identify what they are trying to achieve — whether the challenge is speed, substrates, applications or capacity. After installation, EFI continues supporting customers with application knowledge, materials experience and information designed to help them discover opportunities they may not originally have considered. Because ultimately, the objective isn't simply to install another printer. It's to keep it printing. Watch Wayne Beckett's conversation with Tiffany Bisson from EFI and learn more about the new VUTEk M3h X at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Spancer Bruno · Product Manager · Harris & Bruno

Being the third generation in a family business comes with expectations. At PRINTING United in Las Vegas, Morten B. Reitoft meets Spencer Bruno from Harris & Bruno to discuss exactly that — and a new product that could bring the company's coating technology to an entirely new group of printers. Spencer's grandfather helped establish Harris & Bruno in 1948; his father, Nick Bruno, developed the company into the international coating specialist it is today, and Spencer admits that joining the family company wasn't an obvious decision at first. Being "the boss's son" brings its own challenges, but over time Spencer has established his own role in a company that continues to develop beyond its traditional markets. And the new ExcelCoat ZRE is part of that development. Harris & Bruno's established ZR platform has brought high-quality chamber-anilox coating to digital production for years, but it is designed for customers who need high throughput, extensive automation, and industrial production capabilities. That also means there are printers for whom the ZR is simply more machine than they need. The new ZRE is designed to change that. Available in A3 and B2 configurations, the ZRE takes Harris & Bruno's proven chamber-anilox coating technology and packages it into a smaller, more accessible system, particularly suited to digital print environments. That includes toner presses, production inkjet and HP Indigo installations where customers want professional aqueous or UV coating without necessarily requiring the automation or production capacity of the larger ZR. It isn't an entirely different coating philosophy. As Spencer explains, it is essentially proven analog coating technology built for today's digital printing environment. The base ZRE uses a simpler single-pump configuration, allowing customers to manually change between aqueous and UV coatings, primers and specialty applications. Customers wanting greater automation can add Harris & Bruno's LithoCoat circulation technology and automate more of the changeover process. That creates an interesting position for the ZRE. It isn't intended to replace the ZR, but rather to extend the Harris & Bruno portfolio downward into production environments the company previously had difficulty addressing economically. For Spencer, that means Harris & Bruno is potentially entering a new customer segment. Printers who previously needed the coating quality of a ZR but couldn't justify its capacity or automation now have another option. And perhaps that also says something about being the third generation of a family-owned technology company. Taking the business forward doesn't necessarily mean abandoning what previous generations created. Sometimes it means taking proven technology, simplifying it and making it relevant to customers the company couldn't reach before. The first ZRE systems are expected in Q2 2027. Watch Morten B. Reitoft's conversation with Spencer Bruno from Harris & Bruno at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Tiffany Bisson · Print Technology Consultant, Inkjet Product Manager · EFI

A printer may be rated at an impressive number of boards per hour, but how many sellable boards actually make it through production?

At PRINTING United 2026 in Las Vegas, Wayne Beckett meets with Tiffany Bisson from EFI to discuss an increasingly important issue for print service providers: the gap between theoretical machine speed and real-world production throughput.

As part of EFI's product team, Tiffany works both before and after the sale. On the pre-sales side, that means helping ensure the right technology is placed in the right production environment. After installation, much of her work involves listening to customers — understanding what works, where bottlenecks develop, and which capabilities EFI should consider in future generations of equipment.

And customers aren't simply asking for faster printers.

They want uptime, easier material handling, fewer downstream processes, and ultimately more finished work through the factory.

A press can have impressive specifications, but if operators struggle with substrates, changeovers, finishing, or maintenance, the advertised speed becomes less relevant. That's why EFI increasingly looks beyond the print engine itself and considers the complete production process.

One example is inline protective clear ink, which can eliminate separate lamination processes for certain applications. Another is the ability of EFI's hybrid platforms to move quickly between roll-fed and rigid production, allowing print service providers to handle very different jobs on the same platform.

Automation obviously plays an important role, particularly on high-volume equipment such as the EFI VUTEk Q3h XP. Tiffany explains the different levels of material-handling automation available — from assisted loading and automated stacking to fully automated production.

But she also makes an interesting distinction.

Automation isn't always the fastest answer.

In a hybrid production environment, a printer may need to switch from roll-to-roll production to rigid boards, from large sheets to multiple smaller pieces, or between completely different applications several times during a shift. Full automation can be extremely effective for long, repetitive production runs, but it can also introduce complexity when versatility and very fast changeovers are more important.

That makes the equation more nuanced: automate the processes where automation genuinely increases throughput, but maintain flexibility where human interaction allows the production line to change direction faster.

EFI's hybrid platforms illustrate that philosophy. A printer can run two rolls simultaneously with different jobs and then transition relatively quickly into rigid board production. Rolls and substrates can be staged in advance, while different table and media-handling configurations support multi-lane, double-sided and varied production.

For print service providers looking to diversify, that flexibility becomes increasingly valuable. Signage, rigid display graphics, roll-fed applications, textile and other wide-format opportunities may require very different production methods, but customers increasingly expect PSPs to move between them quickly.

The objective isn't automation for automation's sake.

It's uptime. Fewer touches. Faster changeovers. More applications. And ultimately, more sellable output during every production hour.

Watch Wayne Beckett's conversation with Tiffany Bisson from EFI at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Mike Wozny · Senior Product Manager · Fujifilm Dimatix

Most people in the graphic arts industry know Fujifilm for presses, plates, inks and production printing, but underneath many industrial inkjet applications is another part of Fujifilm that most print buyers rarely see: FUJIFILM Dimatix. At PRINTING United in Las Vegas, Morten B. Reitoft meets Mike from FUJIFILM Dimatix to see the worldwide debut of the new STARFIRE PhaseMaster 1024 printhead — and quickly discovers that this isn't simply another printhead for another graphic arts printer. The PhaseMaster combines technologies and experience from two long-established Dimatix platforms, Galaxy and STARFIRE, but introduces something particularly interesting: the ability to jet hot-melt fluids at temperatures up to 125°C. And that opens applications far beyond what most of us traditionally think of as printing. Direct-to-screen production, coding and packaging, printed electronics, photovoltaic manufacturing and additive manufacturing are among the applications discussed in the interview. Even jewelry enters the conversation, where inkjet can be part of highly detailed additive processes used to create customized designs. One particularly relevant application for the graphic arts industry is direct-to-screen. Rather than producing screens through conventional imaging processes, an industrial system equipped with PhaseMaster heads can jet material directly onto the screen. With the ability to lay down significant amounts of fluid at production speed, inkjet becomes part of the manufacturing process rather than simply a technology for putting an image onto paper. This distinction is important. FUJIFILM Dimatix doesn't necessarily build the final machines that users will eventually operate. Instead, it develops the printhead technology that OEMs, integrators and equipment manufacturers use as the foundation for entirely new production systems. The engineering behind PhaseMaster is equally interesting. Operating fluids at temperatures as high as 125°C creates an obvious challenge: the fluid needs heat, but electronics generally don't. Dimatix therefore separates the thermal environments inside the head, using cool, dry air to keep the electronics at considerably lower temperatures while maintaining the required temperature in the jetting area. The PhaseMaster has 1,024 individually addressable nozzles and can be configured with multiple heads across a printbar, allowing equipment manufacturers to build systems in different widths. Individual heads print one color, but multiple heads can also be configured to create multi-color systems. For Morten, the conversation becomes an interesting reminder of how broad inkjet technology has become. What began as a way of putting ink onto substrates is increasingly becoming a precision deposition technology capable of placing controlled amounts of fluid exactly where manufacturers need it. And that means the future market for inkjet may be considerably larger than the printing industry itself. Watch the conversation from PRINTING United in Las Vegas and get a closer look at the new FUJIFILM Dimatix STARFIRE PhaseMaster — and some of the industrial applications that could be built around it.

En thumbnails of the images

Stefano De Marco · CEO · Tecnau Sitma

Tecnau has changed significantly over the past few years. The company is still deeply rooted in digital print finishing, but acquisitions, software development, packaging automation and a much stronger focus on service are steadily expanding what Tecnau wants to be for its customers. At PRINTING United 2026 in Las Vegas, Morten B. Reitoft meets Stefano De Marco, CEO of Tecnau and Sitma, for a conversation about that transformation. The acquisition of Sitma has been an important part of the journey. By combining Tecnau's experience in high-speed digital finishing with Sitma's expertise in packaging, fulfillment and logistics automation, the group can increasingly follow the printed product much further through the production chain. And the timing may be particularly relevant. Printers everywhere are dealing with increasing labor costs, difficulties recruiting skilled operators, rising material prices and constant pressure on margins. For Stefano, that makes automation less about impressive technology and much more about helping customers remove cost from production. Tecnau's Revolution 50 AutoSetup is one example. Automated job changeovers allow customers to move between applications with minimal operator intervention, reducing setup time, paper waste and dependency on highly skilled labor. The objective is increasingly to create production environments where short runs and even single-copy jobs can move through finishing without traditional manual setup. But finishing is only one part of the equation. With Sitma, Tecnau is also looking at what happens after the printed product is finished. Packaging and fulfillment remain surprisingly manual in many printing companies, and Stefano sees considerable opportunity to automate those processes as well. That is why the Sitma acquisition is more than simply adding another range of machinery. It allows Tecnau and Sitma to connect production, finishing, packaging and fulfillment in a broader workflow — helping customers move further toward what the company describes as “From Print to Profit.” Software is becoming equally important. Tecnau Connect gives customers visibility into machine utilization, uptime, production performance and recurring problems. Instead of simply installing another piece of equipment, Tecnau wants customers to understand how effectively their existing equipment is actually being used. That distinction is important. Increasing profitability doesn't always require buying another machine. Sometimes the opportunity is hidden in downtime, inefficient setups, unnecessary waste or production capacity that isn't being fully utilized. Behind Morten and Stefano at the booth, Tecnau's message says it very clearly: maximize uptime and minimize waste. There is also another important development coming in February 2027. For the first time, Tecnau will officially exhibit at Hunkeler Innovationdays in Lucerne. For Stefano, the invitation represents something larger than simply another exhibition. He sees it as a sign that one of the industry's most important digital-print events is becoming a broader and more open platform for technology suppliers across the market. Tecnau has confirmed its participation at HID27, February 22–25, 2027. That also reflects how the digital production market itself is changing. Press manufacturers, finishing suppliers, workflow companies, robotics specialists and packaging technology providers increasingly need to collaborate if customers are going to achieve genuinely automated production environments. And for Tecnau, that seems to be the direction of travel. Finishing remains at the company's core, but the conversation is becoming much broader: automation, software, packaging, fulfillment, service, production intelligence and ultimately profitability. Watch Morten B. Reitoft's conversation with Stefano De Marco from Tecnau | Sitma at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Andrew Gunn · Global Production Marketing · Fujifilm Print US

At the Fujifilm booth, Morten B. Reitoft catches up with longtime friend Andrew Gunn for a conversation that quickly moves far beyond the equipment on display. Fujifilm has been busy since their last meeting in Chicago. The new Revoria Press EC2100S/SC285S generation is gaining traction; customers are responding to the new capabilities and colors, and Andrew points to automation, AI, and increasingly intelligent production as technologies that will have an even greater impact than the specifications that are attracting attention on the show floor. But this conversation is also about Fujifilm itself. Fujifilm has announced plans for a partial spin-off of its graphic communications business, creating obvious interest and speculation throughout the industry. Andrew explains why he sees the move as an opportunity to give the graphic communications organization greater agility, more strategic options and increased control over its own future. Morten challenges Andrew on the uncertainty that inevitably follows major corporate changes and asks whether Fujifilm could be part of a broader trend in which large diversified technology groups separate their graphic arts activities into more focused businesses. The discussion also touches on Fujifilm's evolution following the changes to the former Fuji Xerox structure, investments in packaging with technologies such as the Jet Press FP790, the growing role of software and AI, changes in other parts of the portfolio, and the company's strategy of what Andrew describes as essentially "divesting to invest." While much of the industry naturally focuses on where Fujifilm is reducing its activities, Andrew argues that equally important investments are happening below the surface — particularly around automation, workflow, AI and packaging. And perhaps that is the most interesting part of the conversation: what will Fujifilm Graphic Communications look like when today's restructuring is completed? Andrew clearly believes it will be a very different animal. Watch the conversation from the Fujifilm booth with Morten B. Reitoft and Andrew Gunn on INKISH.TV.

En thumbnails of the images

Andrew Fetherman · President & CEO · Mülller Martini / Hunkeler North America

Nine months into 2026, the integration of Müller Martini and Hunkeler is becoming increasingly visible — not only in the organization, but in the technology being developed. At PRINTING United in Las Vegas, Morten B. Reitoft meets Andrew Fetherman, President & CEO of Müller Martini North America, to discuss how the transition in the American market has progressed and what “Stronger Together” actually means in practice. Andrew describes the transition as something Müller Martini spent considerable time preparing for. People, training, service, sales, infrastructure, and partnerships all had to be in place before responsibility for much of the Hunkeler business in North America was transferred. His analogy is simple: you don't wake up one morning and decide to run a marathon. You prepare for it. That preparation appears to have paid off. For Müller Martini, Hunkeler has also opened doors into markets where the company previously had a smaller presence. Transactional print, direct mail and continuous-feed production are natural Hunkeler territories, while Müller Martini brings extensive experience in saddle stitching, perfect binding, hardcover production and complete book manufacturing. Combined, the two portfolios create significantly more opportunities to approach customers with end-to-end production concepts. But Andrew is equally clear that the acquisition doesn't mean closing the ecosystem. Hunkeler equipment will continue working with other finishing suppliers, and partnerships with press manufacturers remain essential. In continuous-feed inkjet, an unwind and rewind are fundamental parts of the press environment, meaning Hunkeler often has a relationship with the customer before downstream finishing is even considered. That creates opportunities for Müller Martini, but also responsibilities. The conversation then turns to the new Separo PRO, which makes its world premiere at PRINTING United. The robotic destacking system is another component in Müller Martini's continued development toward highly automated book production. Pre-glued or otherwise prepared book blocks can be identified, destacked, and moved into downstream production with significantly less operator intervention. And this is where the Müller Martini/Hunkeler combination becomes particularly interesting. Book blocks demonstrated with Separo PRO can originate from Hunkeler roll-fed production technology before moving into Müller Martini binding and trimming. Workflow, barcodes, robotics and physical production increasingly connect technologies that historically belonged to separate companies. Morten asks whether Separo PRO should therefore be considered a product of joint engineering. Andrew's answer illustrates how far the integration has already progressed: distinguishing between “Hunkeler engineering” and “Müller Martini engineering” is becoming less meaningful. The teams are increasingly simply one team. This has been a long relationship. The Müller and Hunkeler families have known each other for generations, and the companies have worked together throughout the evolution of digital print production. But combining organizations is still different from cooperating. Now the results are becoming tangible. Andrew points to products such as GEN8 EVO, new automation modules, Connex workflow, robotic handling and future Smart Factory developments as examples of an increasingly integrated engineering philosophy. More automation is coming — including developments in material handling, cover management, and other production steps where robotics can eliminate manual touchpoints. The objective is not automation simply because it is technically possible. It is about making print production more efficient, reducing dependency on manual labor and ultimately helping printers produce more profitably. And somewhere between Swiss engineering, Smart Factory technology and Andrew's very personal story about the Swiss watch his daughter gave him, the conversation also reminds us that technology companies are still made by people. Stronger Together may be the trade-show message. At Müller Martini and Hunkeler, it is increasingly becoming the reality. Watch Morten B. Reitoft's conversation with Andrew Fetherman from Müller Martini North America at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Nick Bruno · President · Harris & Bruno

Harris & Bruno is one of those companies whose technology you may have encountered many times without necessarily thinking about the company behind it. At PRINTING United in Las Vegas, Morten B. Reitoft sits down with President Nick Bruno to hear the remarkable story of how a small California machine shop became an important technology partner to some of the biggest manufacturers in the printing industry.

The story begins in 1948, when Nick Bruno's father, Mel Harris, started Harris & Bruno with Mel Harris. Initially, printing wasn't even part of the business. The company was a two-man machine shop in the San Francisco Bay Area making whatever parts local customers needed. As flexible packaging developed in the region, Harris & Bruno gradually became involved with rollers, laminators, coding equipment, and eventually components for flexographic and gravure presses.

When Nick Bruno joined the company in 1984 after studying engineering and working in Silicon Valley, the printing industry was changing. Harris & Bruno developed enclosed-chamber systems for flexographic presses, and the transition toward ceramic anilox rolls, chamber systems, and photopolymer plates helped transform the company from a local supplier into a nationwide technology business.

Then another unexpected opportunity arrived.

An offset press manufacturer asked Harris & Bruno to install its chamber and anilox technology on a coating tower. Nick admits that at the time he knew very little about sheetfed offset, but when he saw the coating unit, his reaction was straightforward: essentially, it was a flexo station. That observation opened another market and eventually led Harris & Bruno into relationships with major offset press manufacturers worldwide.

The company subsequently developed automated coating circulation technology capable of switching between aqueous and UV coatings dramatically faster than the processes in use at the time. From there, Harris & Bruno's coating expertise extended into digital production printing.

That transition presented an entirely different challenge. Digital print quality was improving rapidly, but customers increasingly wanted digitally produced work to have the same coating quality and appearance as offset. Harris & Bruno responded by introducing automated offline coating systems, such as the ExcelCoat platform, establishing another important part of the company's business.

Today, the transition continues into high-speed inkjet web production. And here Nick explains why coating becomes considerably more complicated. Conventional offset platforms may share relatively similar ink characteristics, but inkjet systems from manufacturers such as HP, Canon and SCREEN can use very different ink formulations, drying technologies and production conditions. Harris & Bruno therefore has to understand not only coating, but how each printing technology, ink set, substrate, drying process and coating chemistry interact.

That expertise has made partnerships increasingly important. Harris & Bruno works with numerous press OEMs, particularly where coating needs to be integrated directly into a production line, while also selling equipment directly to printers in applications such as sheetfed digital production.

Perhaps equally important is how Harris & Bruno builds its technology. Rather than outsourcing much of its manufacturing, the company remains highly vertically integrated, machining components, developing electronics and building systems internally — an approach Nick traces directly back to growing up inside his father's machine shop.

And the next generation is already involved. Nick's son, Spencer Bruno, is helping to drive Harris & Bruno further into digital embellishment with the ZRX platform, combining the company's traditional coating expertise with digital spot effects and foiling.

What started as a small metalworking shop almost eight decades ago has continually reinvented itself around one core competence: understanding how liquids, substrates, printing technologies, and production equipment interact.

And Harris & Bruno isn't finished challenging itself yet.

Watch Morten B. Reitoft's conversation with Nick Bruno at PRINTING United 2026 in Las Vegas.

En thumbnails of the images

Billy Stojanovski · Sr. Global Product Marketing Manager · Xerox

The Xerox booth at PRINTING United is packed, and for good reason. Xerox is extending its new Proficio production platform into inkjet, and Billy Stojanovski is clearly excited to finally talk about the new Xerox Proficio Jet CS1100. Morten B. Reitoft meets Billy at the Xerox booth for a first look at a B3 cut-sheet inkjet press that Xerox believes can open an entirely new chapter for its production print business. The Proficio Jet CS1100 runs at up to 300 impressions per minute, delivers 1,200 x 1,200 dpi, handles stocks up to 350 gsm and, importantly, prints directly on coated and uncoated papers without requiring a separate pre-treatment process. But specifications are only part of the story. Xerox has developed its own W2-series printheads and ink formulation, giving the company control over the complete imaging process. Variable droplet sizes allow the press to combine fine text and lines with stronger solid-color reproduction, while the drying technology enables sheets to be taken directly into finishing. At the show, Xerox demonstrates exactly that, running printed sheets directly into a Plockmatic booklet-making solution. For Billy Stojanovski, the CS1100 is also significant because of the enormous installed base of Xerox production equipment. The new press is positioned as a potential migration path for customers running iGen and other production platforms who want to move work into inkjet while maintaining a familiar cut-sheet production environment. Morten and Billy also look inside the press and notice something interesting: four imaging stations are installed, but there appears to be room for six. Xerox isn't announcing additional colors, but with the company's long experience with Beyond CMYK and specialty colors, the obvious question is what those extra positions could eventually be used for. The conversation also moves into economics. Rather than the traditional click-based production model familiar to many Xerox customers, the Proficio Jet CS1100 introduces an ink-consumption-driven production economy. Xerox has therefore developed tools that can analyze a PDF before production and estimate ink consumption and job cost, giving print providers a clearer understanding of the economics before pressing print. There is also a dedicated black-only mode, making the press interesting for transactional work, publishing and book production, while the B3 format keeps it compatible with the finishing equipment already installed in many commercial printing companies. And Xerox isn't stopping with cut-sheet inkjet. Billy also introduces the upcoming Proficio Jet CF1200 continuous-feed platform, making it clear that Xerox intends Proficio to become a much broader production-print family. Three SOLD signs behind Billy during the interview perhaps say more than anything else. Xerox is making a serious move into production inkjet — and judging from the interest at the booth, customers have been waiting for it. Watch Morten B. Reitoft and Billy Stojanovski explore the new Xerox Proficio Jet CS1100 at PRINTING United 2026.

De Fr En-US thumbnails of the images

Universitätsdruckerei Klampfer investiers in Heidelberg Jetfire 50 · Daniela & Robert Klampfer

Founded by Daniela Klampfer. grandfather in 1947, Klampfer Universitätsdruckerei has evolved from a traditional commercial printing company into a business in which offset, inkjet, packaging, finishing, and increasingly personalized print work together. In this Perspective, we hear how the company has changed with the market. Commercial print has become more challenging; run lengths are declining; customers expect faster turnaround and more individual products, while packaging and sophisticated finishing continue to grow. Investments in die-cutting, hot foil, embossing, folding carton production, and the HEIDELBERG Jetfire are therefore not isolated decisions but parts of a broader strategy to keep more value creation in-house and expand what Klampfer can offer its customers. The Jetfire also represents an interesting view of where print is heading. Klampfer does not see inkjet simply replacing offset. Instead, the twoX technologies increasingly complement each other: offset remains important for volume, while inkjet brings speed, shorter runs, personalization, and flexibility. And as print runs become smaller, the expectation for premium finishing certainly does not disappear. For Klampfer, technology matters — but so do relationships, service, and people. That applies to its customers, its employees, and its long-standing relationship with HEIDELBERG. Watch the Perspective from Klampfer Universitätsdruckerei and get an interesting view into how a family-owned printing company is adapting its production for the future.

En thumbnails of the images

Automation, Inkjet and People — How Intermountain Health Produces Print · Dan Duersch & Simon Ortiz

Intermountain Health isn't a printing company. It's an integrated healthcare network operating across Montana, Colorado, Utah, and Nevada — but within the organization sits a highly sophisticated print operation that produces everything from patient education materials to insurance, transactional, and member communications. With a team of just 17 caregivers, the operation combines high-volume inkjet, toner production, nearline finishing, redundancy, and increasingly automated workflows. But technology isn't the starting point. The team first asks what the organization needs, what should be produced internally, and only then decides which technology is the right tool for the job. And the economics are different. As an internal cost center, the objective isn't to maximize profit but to deliver the right quality, capacity, turnaround time, and cost while supporting an organization whose primary mission is treating patients. Investments are therefore measured by return, utilization, reliability, and the value they create for the wider healthcare system. After previously experiencing turnaround times of three to four weeks, investments in people, processes, inkjet, Tecnau finishing, and additional capacity have helped Intermountain Health bring production consistently down to just two to three days. In this INKISH film, we discuss automation, redundancy, equipment decisions, the importance of experienced operators, and why, even with increasingly advanced technology, the people running the equipment remain absolutely essential. And perhaps even more interestingly, Intermountain Health is now considering how its print infrastructure could potentially support other nonprofits and healthcare organizations — extending the value of its operation beyond its own network.